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X-WR-CALDESC:Events for Digitalsilverimaging
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DTSTART;TZID=America/Halifax:20190411T183000
DTEND;TZID=America/Halifax:20190411T203000
DTSTAMP:20190410T215422Z
CREATED:20190327T195424Z
LAST-MODIFIED:20190410T215422Z
UID:6712-1555007400-1555014600@digitalsilverimaging.com
SUMMARY:The Art of the Hand Colored Photo with Laurie Klein
DESCRIPTION:This event starts at 6:30 PM EST \nMeet the author of Hand Coloring Black and White Photography\, Laurie Klein\, in an evening filled with useful and inspiring information on hand coloring photos. Laurie will speak about her work\, her vision and the techniques required to hand color the New DSI Digital Silver Print® Fiber Matte silver gelatin paper. The introduction of this new paper makes hand coloring possible for all digital and film photographers. In addition to Laurie’s presentation\, samples of New DSI Digital Silver Print® Fiber Matte paper will be available to hand color with Arista Photo Oils and colored pencils. This is sure to be an informative and enjoyable evening filled with photographic art\, lots of information\, raffled products and light refreshments. \nIncluded with this event: \n• $10 Off Coupon on your order of any New DSI Digital Silver Print® Fiber Matte\n• Hand color a samples of DSI Digital Silver Print® Fiber Matte with Arista Photo Oils and/or colored pencil\n• Raffle a copy Laurie Klein’s New Hand Coloring Video Tutorial\n• Raffle of an Arista Photo Oil Introductory Kit (a $35 value)\n• Raffle of a 11×14 DSI Digital Silver Print® Fiber Matte print (a $65 value) \nAbout Laurie Klein \nRenowned photographer and educator\, Laurie Klein\,  regarded as one of the most influential infrared photographers and  hand coloring artists in the world. Laurie holds a BFA from Rochester Institute of Technology and an MFA from Ohio University. Early in her career\, Laurie studied with Ansel Adams. She is the author of Infrared Photography: Artistic Techniques for Brilliant Images and Photographing The Female Form with Digital Infrared  both published by Amherst Media\, Hand Coloring Black and White Photography published by Quarry Publishers\, and is published in numerous magazines. Her images have been exhibited globally. Laurie teaches regularly at Santa Fe Photographic Workshops\, Maine Media\, and presents her own boutique workshops.\nFacebook: LaurieKleinPhotography\nInstagram: lauriekleinphoto \n 
URL:https://digitalsilverimaging.com/dsi-event/the-art-of-the-hand-colored-photo-with-laurie-klein/
LOCATION:Digital Silver Imaging\, 9 Brighton Street\, Belmont\, 02478\, United States
CATEGORIES:Partners
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DTSTART;TZID=America/Halifax:20190417T183000
DTEND;TZID=America/Halifax:20190417T210000
DTSTAMP:20190409T212601Z
CREATED:20190226T003430Z
LAST-MODIFIED:20190409T212601Z
UID:6634-1555525800-1555534800@digitalsilverimaging.com
SUMMARY:Documentary Matters
DESCRIPTION:Presented by Social Documentary Network and Digital Silver Imaging \nFeatured presenters: Karen Davis\, Janet Jarman & Nicholas Pfosi\n\nKaren Davis\nTwo Steps Forward\, One Step Back: A Family Portrait by Karen Davis\, is a long-form\, visual and textual portrait of a family moving forward in the face of a devastating childhood illness—childhood onset schizophrenia. Combining Davis’s photographs with the family’s contemporaneous words\, the book provides an intimate window into a world turned upside down then righted by two shaken but determined parents. \nTwenty-five years ago\, this family became a subject of Davis’s photographic exploration. As a new photographer and related through marriage\, she was grateful for their accessibility\, openness and patience. When the son’s condition worsened and the family found itself in the throes of fear and the unknown\, they wrote and she photographed\, which now makes it possible for Davis to tell their story. \nDavis’s talk will present an overview of the book and the steps she has taken to reach this point: a completed book draft seeking a publisher. She will share the process of conceiving (and reconceiving) the project\, photo editing\, discovering the “book proposal” and the research which that entails. \nDedicated website for this project \nArtist Bio \nAs a photographer\, Karen Davis works in the space between documentary and fine art photography\, chronicling family and their social milieu. Her prints and artist books are in collections of the Samuel Dorsky Museum/Center for Photography Woodstock (CPW) Collection; Lishui Museum of Photography\, Lishui\, China; Artist Book Collection\, Houghton Rare Books Library\, Harvard University; and featured in a permanent installation at MASS MoCA. She is the 2009 recipient of CPW’s Artist Fellowship Award and a 2018 Critical Mass Finalist. Solo and featured shows include: Homegrown\,CPW; Unframed\, NOBO Gallery\, Hudson NY and The McCann Family\, Griffin Museum of Photography. Work from her series\, Strangely Attracted was selected for inclusion in Exposure 2018\, the Photographic Resource Center\, Cambridge MA. \nDavis is Curator/Co-Founder of Davis Orton Gallery\, Hudson NY\, now in its tenth year\, specializing in photography\, mixed media\, and artist-published photobooks. She was a long-time teacher of a unique course for established and emerging photographers\, Photography Atelier\, which she taught at Radcliffe Seminars\, Lesley University and the Griffin Museum of Photography. She currently teaches online courses in portfolio development and marketing for the Griffin Museum. \nJanet Jarman\n\n \nOver the past six years\, Janet Jarman has immersed herself in covering topics related to human rights and healthcare in Mexico. She is currently producing a book and a feature length documentary about this topic with the assistance of a MacArthur Foundation grant. \nThrough deeply personal stories\, “Birth Wars” explores conflicting visions between midwives and medical professionals about how to provide a safe and dignified childbirth experience to women. Many claim that midwives can play a central role in achieving these goals\, if only their work could be formally recognized by Mexico’s medical establishment. For the book and film\, Jarman follows the experiences of traditional and professional midwives who are trying to make a difference\, and of some innovative health officials who are trying to reduce the antagonism between doctors and midwives. \nArtist Bio \nJanet Jarman is a photojournalist and documentary filmmaker. Since 2003\, she has been based in Mexico where she focuses on topics such as the country’s ongoing security issues\, immigration\, access to healthcare\, and water resource challenges. \nJarman has worked for The New York Times\, The Wall Street Journal\, GEO\, Smithsonian Magazine\, nationalgeographic.com\, Stern\, Der Spiegel\, amongst others. She has also worked for numerous international foundations and NGOs. Her photographs have been featured at Visa Pour l’Image\, Perpignan and have received awards in Pictures of the Year International\, American Photography\, PDN Photography Annual\, POY Latam\, Latin American Fotografia\, Communication Arts\, and Best of Photojournalism. \nIn addition to working on editorial assignments\, Jarman has produced various long-term photo and multimedia projects\, including Marisol and the American Dream\, a two-decade story that chronicles the life of one Mexican immigrant girl; Aguas Negras\, which analyzes Mexico’s many water related challenges; and Chaos and Corruption\, which focuses on the burgeoning movements throughout Mexican society to force authorities to become more transparent. Jarman began her career in South Florida after graduating from The University of North Carolina at Chapel Hill. She worked as a staff photographer at The Miami Herald\, and later obtained a master’s degree in environmental issues at the University of London. \n\nNicholas Pfosi\n\nNicholas Pfosi will present an ongoing project addressing dating culture in the queer community on the east coast of the United States and Northern Europe. The work has three chapters: looking\, cruising\, and high and horny. \nlooking is a series of interviews and portraits with queer men focused on their experiences dating today\, presented as an imitation Grindr app. 2019 is the 10 year anniversary of the infamous gay dating app which has had a profound impact on our community. \ncruising is a series of landscapes of locations used either historically or contemporaneously for (public) sex. Historically imperative for people of marginalized sexual identities\, cruising is fading from the minds of a generation of younger queers as its necessity is subverted by shifts in social attitudes and technology like Grindr\, Scruff\, Jack’d etc. These images\, intentionally relying on the banality of these inconspicuous places\, were photographed using medium format film both for its detail as well as an homage to the technology of the time when cruising was more popular. They are accompanied by captions which describe experiences which occurred at these sites. The series is a reflection on this vanishing aspect of queer sexual culture. \nhigh and horny is an ongoing documentary project looking at the world of chemsex from about half a dozen individual perspectives. Chemsex is when gay men use\, and often become dependent on using\, crystal meth and sometimes GhB\, during sexual encounters\, often lasting hours or days. While the limited media representation of this experience portrays it as a hedonistic health crisis\, the reality is considerably more nuanced than that\, which this work aims to address. \nArtist Bio \nNicholas Pfosi is a documentary photographer\, web designer and filmmaker whose work reflects on modern queer identity. He completed a bachelor’s degree in Child Studies and Human Development with course work towards a double-major in Clinical Psychology and minor in Multimedia Arts from Tufts University in Boston before studying photography at the Danish School of Media and Journalism (DMJX) in Aarhus\, Denmark. \nHaving interned for the Boston Globe\, the Hartford Courant\, and the Mail & Guardian (South Africa) Nicholas’s training and approach is grounded in a ‘hold-truth-to-power’ journalism yet grows colored by his view of storytelling as essential to the human social experience. \nWhile working under the mentorship of the Bombay Flying Club\, Nicholas\, along with collaborator Capucine Chardon\, produced a short film Take Me As I Am about CJ\, an American expat living in Denmark. Immigrating to Europe after having resigned himself to his family’s impenetrable homophobia\, CJ pursues performance art\, drag and companionship. The film was recognized by the Picture of the Year International (POYi) competition in 2018. \nDocumentary Matters\nDocumentary Matters is an initiative of the Social Documentary Network and Digital Silver Imaging to provide a place for photographers to meet with others involved with or interested in documentary photography and discuss ongoing or completed project. This is a free and open meeting for anyone interested in presenting\, viewing\, or discussing documentary photography.\nYou don’t need to be a professional\, expert\, or established–you just need to be committed to the documentary form and committed to learning from feedback from others. And you don’t need to be a photographer or presenting your work to attend. Everyone is invited to join us\, look\, listen\, and comment. Still photography\, multimedia\, and video encouraged. Documentary required.\n\nDocumentary Matters Registration\nClick here to sign up to attend.\n \n  \nSubscribe to ZEKE magazine\nClick here for more information on ZEKE magazine and to subscribe. \n 
URL:https://digitalsilverimaging.com/dsi-event/documentary-matters-2/
CATEGORIES:Partners
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