Just wanted to send a note to say thank you so much for your help in getting my prints readjusted and sent back to me in such a timely manner. Huge thanks to Christopher and to you (DSI) for working with me, being accommodating and incredibly helpful. All of the prints look amazing, and I’m very proud of putting them on the wall at The Focus Gallery in Providence. I will also very proudly recommend DSI and your customer service to anybody and everybody that should ask about where I had my prints done.
Daniel White, Country Music PBS
I just have to say how damn good these prints look!!!! Thank you! In my years in the dark room I’m not sure I could have made prints as perfect as these. Your staff did a wonderful job.
Maggie Steber
The printing is superb!!!!!! Really Excellent work, I’m just stunned at how lovely everything looks.
David Simmons
Kudos to all. Recently, I presented the challenge of dry mounting a very long and narrow Giclée print and you should know the result is excellent to my eye. Your Customer Service Specialist, Ji-In and Production Manager, Annie were both extremely helpful in developing the project and accomplishing it. Cordial, communicative, and careful are some of the adjectives that come to mind. Your services stand out. I ran into problems finding an outfit that could/would do the job:
One wouldn’t mount a print it hadn’t printed.
One wouldn’t mount a print that already had a UV photographic laminate.
Two couldn’t handle the length.
One wouldn’t tackle the narrowness.
One wouldn’t take it on, no explanation offered.
You did it well at a very reasonable cost.
Dawoud Bey
Black-and-white photographic material is capable of a lot more range, nuance, and subjectivity than we usually see. I wanted to realize the vision for this work not only through the landscape but through the subjective material manipulation of the photographic print (DSI Digital Silver Fiber Prints®). In the work of photographers like Ansel Adams, W. Eugene Smith, and Roy DeCarava, the extensive manipulation of the print was as much part of realizing the narrative as the subject itself. I wanted to work in that extensive material way for this project. And I am working with a very narrow but rich range of tonality within the spectrum of black-and-white material. –
From an interview in C& Magazine about his exhibition “Night Coming Tenderley, Black” at The Art Institute of Chicago printed by Digital Silver Imaging
Tess Atkinson
I work with Digital Silver Imaging printing studio in Belmont, Massachusetts to produce my large scale photographs. Their team produces museum quality prints and has become an invaluable part of my artistic process. They provide exceptional support and make the detailed process of creating my large scale prints an enjoyable, united endeavor. – BostonVoyager