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Uncategorized

Ask the Experts: Digitizing Your Film and Artwork

February 11, 2025 by Andrea

 

If you attended or watched our “Ask the Experts” webinar, this post includes links to products and resources mentioned during the webinar. We hope you found this presentation helpful, please subscribe to our email list for notifications on future webinars.

Ask the Experts: Digitizing Your Film and Artwork Video

Art Reproduction Basics – Reproducing Color Accurately 

Digitization and Scanning Methods Compared

Mary Lynn Burke – Artist using DSI’s Art Reproduction and Printing Service

Elliot Erwitt – Digitizing Elliott’s archive

 

Filed Under: Uncategorized Tagged With: Ask the Experts, Digitizing your film and artwork, webinar

Holiday Hours & Important Shipping & Production Dates

November 26, 2024 by Andrea

20% Off + Free Shipping on our Best Selling Papers

Print a gift, print a portfolio, or just print those images sitting on your computer but don’t miss out on great Black Friday & Small Business Saturday savings.

Hurry! This is a time limited promotion, ends 12/15/24.

• DSI Digital Silver Print® Fiber real B&W silver gelatin glossy prints on a heavy weight archival alpha cellulose base. Simply the finest digital B&W print available.

• Hahnemühle Photo Rag® Baryta Semi-gloss is a heavy weight fine art paper with a classic baryta surface.
• Hahnmühle Photo Rag® Metallic is a fine art paper with a metallic flake that gives your print a shimmer, ideal for graphic images and black and white.
• Hahnmühle Agave is a beautiful heavy fine art paper with a slightly warm base made with sustainable and archival agave fiber and cotton.
• Ilford Photo Pearl is a premium weight photo paper that reproduces your image with vivd color and excellent contrast.

*Prints available through our Direct-to-Print service only and shipped free in the USA. $125 Minimum order for free standard shipping. Free shipping does not apply to orders with matting, mounting or framing. 
Use Promo Code BF2024 for Discount

Order Now

 

Holiday Production and Shipping Dates

Eric with packed boxes
We will be closed for Thanksgiving 11/28 & 11/29,  and closed Christmas through New Year’s Day, 12/25 through 1/2/25.
Sunday 12/01 – Last day to order prints with framing to receive by Christmas
Sunday 12/8 – Last day to order prints to receive by Christmas*
Last day to order frames to ship before Christmas (Your order not guaranteed to be received by Christmas.*)
Sunday 12/15 – Last day to order prints that will ship before Christmas (Your orders not guaranteed to receive by Christmas.*)
*Based on standard shipping — rush charges can be added for expedited shipping

Filed Under: Uncategorized

July 4th Sale! 25% Off + Free Shipping

July 2, 2024 by Andrea

fire works

Order $200 or more and save, save, save with 25% Off and Free Shipping on all papers and sizes through our Direct-to-Print service. You can choose from photo and fine art papers from Ilford, Hahnemühle or our real silver gelatin DSI Digital Silver Prints® fiber base and RC.

When ordering use Promo Code: FIRECRACKER
Hurry sale ends at midnight ET – Sunday 4/7/24
Order Prints

*Direct-to-Print service only, does not apply to custom printing. You must order $200 or more in printing services. Free shipping in the USA only. Discount and free shipping applies to prints only. Framing, print hangers, mounting and matting excluded from promotion.

 

Filed Under: Uncategorized

How to Create an Archive of your Creative Work

June 8, 2023 by Andrea

Scott Nidermaier and Elliot Erwitt review a digitally captured image
DSI’s Scott Nidermaier and Elliot Erwitt review digital captures of his archive.

Create an archive of your creative work – Organizing and digitizing your art doesn’t need to be a daunting task. By following some simple steps this process becomes easily achievable. Most artists/photographers have had the experience of looking at the masses of work produced over a career and wondered where to begin? This post will answer that question with an easy process.

As a creator of images a good exercise is to ask yourself how would I characterize my most important work? Was my body of work created primarily on an assignment basis, like an editorial photographer? Am I a fine artist that created work for exhibition and sale? Am I documentarian whose work is centered around a theme or story? By the way you could also be the documentarian of your family or organization. 

The process of self identifying who you are as an artist/photographer will greatly assist you in the editing process. For example, if you are a fine art photographer that has an extensive body of black and white portrait photography you can easily eliminate all those color slides from your trip to Yosemite. Start by selecting work for your archive that is closest to the core of how you identify yourself as an artist/photographer.

The key is to start the archiving process with a clearly defined purpose. In the previous example those vacation slides  didn’t make the edit. However they maybe included in a smaller archive you create later specifically for your own edification, but for now stick to primary objective and ignore the rest.

The Steps

1. Make a Schedule with Deadlines

Get out the calendar and set up concrete dates. Just saying that you are going to devote a day, a week, or some weekends won’t get it done. Be specific and set a date for specific goals.  For example: collect all materials in one location by June 3, compile best materials by June 22, set up appointment for digitization with Digital Silver Imaging by June 23, add supporting materials to existing work to be digitized by July 12, etc. Don’t get side tracked. You need to resist the temptation to make this a stroll down memory lane. You have a job to do, now get going.

2. The Best First

Begin with your best work. Start by Identifying the film and any prints of that work.  Why the prints? The print maybe the most archival medium in your archive. The print also shows how you interpreted the image. This even applies to an image that was created digitally.

3. Series and Stories

Identify the work by story, project, body of work. For example if you are a journalist, identify the stories you worked on and start with the most important (as you perceive it) and don’t neglect supporting images or documents. For the fine artist use the same approach. For example if your fine art work has had thematic connections or subjects use that as a starting point. 

4. You Don’t Need to Archive Everything

We are awash in images. Your archive does not need to have every analog asset digitized (see step 2). By all means make sure that your film and art are properly stored but making selections is key to the process. If you are a commercial artist quickly put aside jobs you completed to pay the bills.

Photographers use their cameras as a way to see the world so most shoot continuously. Unless it is part of your best work, or an important project, skip over the images from family, trips, events that are not related to your best work. The exception is an archive created specifically to document your family, even in this case you do not need to archive 20 images from that family picnic in 1972.

Documentation, Keywords, Metadata

Trying to complete all the documentation before you begin the digitization process is a monumental mistake in most cases. Film is not the most archival medium, and even black and white film often starts to deteriorate in as little as a decade. You can always add the documentation, keywords, and metadata after the film, prints and artwork have been digitized.

The discussion of documentation can fill volumes. Again consider what is the most important and relevant information in relation to the nature of your archive. The one thing that is always required is a creation date and a title. A title can be as simple as a single name or a dozen or more identifying words. 

Keywords and metadata not only identify your digital files but they also make your archive searchable. These issues become very important if you plan on selling images online and you need a large searchable archive as stock photography. Included below is a link to an article on understanding metadata to continue your research further.

The bottom line is digitize first, add data second. Included with this post are some useful links including the Photographic Information Record Form or PIR. This is a standard form that many museums and photo archives use to provide background and historical data on an image. The PIR is in PDF format so it can be completed and stored digitally with your archive.

Storing Your Digitized Archive

The one thing you can count on is that your hard drive will eventually fail. That is why it is essential that your archive be replicated and stored in at least two geographically separate locations. In many cases it is also useful to consider an online storage solution in addition to your hard drives. 

Companies like Drawbridge Digital offer sophisticated storage and access solutions for digital archives. A provider like Drawbridge Digital can make your archive searchable, provide access permission, and redundant backups. Even simple cloud storage is better than no off-site storage at all.

Summary

Like any task if you break it down into reasonable steps it becomes achievable. The caveat is don’t delay! You can always add more to your archive once you’ve digitized your best work. If you want more information on the digitization process please watch our video and don’t hesitate to contact us with your questions.

Useful Links

Photographic Information Record Form (PIR)

https://www.culturalheritage.org/membership/groups-and-networks/photographic-materials-group/publications/photographic-information-record

Drawbridge Digital

https://drawbridgedigital.com/

Understanding Metadata for Photographers
https://www.pixpa.com/blog/photo-metadata

Appraiser’s Association (Find an appraiser to value your archive)
https://www.appraisersassociation.org/index.cfm

Filed Under: Uncategorized Tagged With: archive, create an archive, digitization

Digitization & Scanning Methods Compared

March 11, 2022 by Andrea

In this post we have created a chart that compares existing and currently supported devices* to our state-of-the-art digitization service. When digitizing your film and prints you have a variety of options. There are many legacy system that do an adequate job, but all are slow and require older software and older computers to run them.

Digitization comparison table

*The Hasselblad X5 Film Scanner is no longer supported by any manufacturer. The X5 is included here as it is still used commercially.

Filed Under: Uncategorized Tagged With: digitization chart, digitization methods

Art Reproduction & Giclée Prints

October 27, 2020 by Andrea

Mention this ad and receive 10% Off your first Art Reproduction order. Use Promo Code ANE2020. This is a limited time offer.

We approach art reproduction as a collaborative process. At Digital Silver Imaging we use the highest standards of image capture, color corrected workflow, and archival print reproduction. We utilize the best digital capture device for the job. Our primary art reproduction tool is the Digital Heritage System, the same system employed by MOMA, The National Gallery of Art, and the Denver Art Museum just to name a few. However, it takes more than sophisticated equipment, or a giant digital file, to make a good reproduction. Duplicating art takes a high level of craft and an understanding of the mediums used. No print will ever duplicate an original painting, drawing or mixed media work, but we strive to achieve a visual and perceptual match with every print.

©Carolyn Young Hisel, website: cyhisel.com

Our Art Reproduction Process

  • Your artwork is digitally photographed to accurately reproduce color and texture.
  • All files are color balanced.
  • Proof print included with Premium Reproduction service.
  • 10% Off Prints with Premium reproduction service.

Fine Art Inkjet Prints

  • Our Inkjet/Giclée* prints are made on the highest quality pigment printers.
  • You can choose from a variety of fine art paper stocks and surfaces.
  • We guarantee archival quality.
  • Limited editions,  serialized holographic labels, and certificates of authenticity are available.
  • For more information on our printing see Custom Color Inkjet Pricing.


Matting, mounting and framing is available at reasonable prices. We can also custom build a portfolio box or case for your edition. Once complete we can ship your prints directly to a client in the next state or around the world.

Basic Capture Premium Capture
Flat artwork up to 20x24"For dimensional artwork requiring custom lighting or pieces over 20x24"
Original size20x24” Max Dimension24” Max Dimension30” Max Dimension40" Max Dimension48" Max DimensionOver 48”
Pricing$75 Each$150 each$195 each$250 each$300 eachCustom
3 to 4$50 Each$125 each$165 each$200 each$250 eachCustom
5 to 10 (call for 10+)$45 Each$115 each$150 Each$175 Each$225 eachCustom
Upon review prices may change depending on artwork surface and materials. Basic Capture multiple piece price applies to works of a similar size.

File Delivery

  • Hi-res files transferred to thumb/flash drive provided by customer – No Charge
  • Hi-res files transferred via electronic upload free
  • Hi-res files provided on DSI 8gb thumb drive $10

Contact or call us at 617 489-0035 for more information about our fine art reproduction services.

*Giclée is French for “splash” or “squirt.” A Giclée print is simply an inkjet print. There is no agency or standard that makes a print a true Giclée. We use the term “inkjet” because we believe it is a more honest way of representing our printing method. We are one of the few labs in the North East that is a Hahnemühle Certified Studio and a Canson Infinity Certified Print Lab. This means our staff, equipment, and printing practices meet rigorous professional quality standards.

Filed Under: Uncategorized

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Digital Silver Imaging

9 Brighton Street
Belmont, MA 02478
617-489-0035
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Hours: 9–5:30 Monday–Friday

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Digital Silver Imaging

9 Brighton Street
Belmont, MA 02478
617-489-0035
email us
map and directions
shipping info
Hours: 9–5:30 Monday–Friday

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