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Owner Eric Luden made a trip to Fall River last night to present his black & white program to over 30 photographers at the Fall River Camera Club.  What I like most about speaking with photographers at these camera clubs is their passion about photography.  They are doing this for fun, pleasure and education, and are not jaded by the demands of trying to make a living with their hobby.

I give an overview of the changes that have impacted black & white photography as digital methods have evolved since the mid- 90’s.  I explain how photographers used an LVT film recorder to produce b&w; negatives and then made darkroom prints and then the evolution of inkjet printing.  We discussed the evolution of digital enlargers, like the Lightjet or Durst Lambda and how we utilize the Durst Theta 51 to produce real black & white continuous tone prints.

Photographers are aware that black & white photography is making a comeback.  So many digital tools are available to make this possible, including multiple plugins and other software.  More than a third of the members already own Nik Silver Efex Pro and are eagerly awaiting the launch of Silver Efex Pro 2, which is due out at the end of this month.  This plugin makes working in black & white so much easier and produces the cleanest files.  When you combine this with our silver gelatin printing service, you get the best of both worlds. 

Thanks to Lorraine for inviting me down to the club – you have an excellent organization and I look forward to coming back. Congratulations to Richard who won the raffle for a free 11×14 Fiber print!

Better in Black and White: Digital Silver Imaging

Je Ne Sais Quoi 

by J. Sybylla Smith

Articulate and humor-filled descriptions of his creative process informed and entertained an eclectic audience at the Griffin Museum of Photography at Digital Silver Imaging‘s gallery talk last evening.  Photographer and videographer, Jonathan Stark, waxed poetically on the feelings evoked by  France, shooting with film and the “magical faith-based” moments of creating art.

Armed with 3 Nikon cameras, loaded with color and black and white film, Stark approaches his work with an open respect for the dialog between the subject – animate or not – and the shooter. Eagerly seeking resonance with his subject his goal is to “capture the energy.” The most important lens being that of his own emotion, imagination, and aesthetic. His desire to make a photograph overrides any sense of timidity or inclusion in another’s intimacy. Ask him about shooting the Hassidim in Jerusalem preparing for Passover.

A curious documentarian, Stark, exposes himself to the culture and ritual he discovers while traveling. What separates a photograph from a snapshot? In his view it is the willing involvement of the shooter to engage and exercise a disciplined and attentive awareness to one’s inner vision. An artist transforms the obvious, moving beyond mere representation. Stark notes black and white photographic images convey emotion and render moments timeless in a way color cannot.

A diehard film fan, he favors the nuance of a silver gelatin print which cannot be mimicked by “spraying” ink on paper. Giclee and silver gelatin are different animals. Just as a diamond traveling across vinyl picks up the peaks and valleys of sound in a manner not replicated by high definition electronic transfer – we sense the difference in output despite the ability of our eyes to register the minute pixilation used in ink jet printing.

Darkroom magic is that inexplicable happening when the image unfolds its  secrets – the culmination of subject, light, exposure, framing, and myriad processes, both human and chemical, that birth a photograph. In Stark’s opinion art reflects relationship.

Stark approached Digital Silver Imaging’s output as an experiment. He was both pleased and surprised with the results. “Digital Silver Imaging’s printing technology enabled me to take a color transparency and convert it to black and white, which revealed the character that appealed to me, but had not translated in color. The DSI silver gelatin print made the image sing.”

You can view all the images from the exhibit here.  Contact Eric Luden at Digital Silver Imaging for information about purchasing any of the prints from this exhibition.

Shutterbug’s Steve Bedell interviewed Eric Luden about the current state of black and white printing and the tools that are available to photographers to obtain quality prints. The interview will run in the February 2011 issue of Shutterbug.

Read a pdf of the interview on your computer or grab a copy of Shutterbug.

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Friday’s opening of Jonathan Stark’s France:Chaleur was a celebration of the warmth found in sweeping views of Paris, the French countryside and the depth of character of it’s people. Shot on film during successive trips abroad the fiber silver gelatin prints are as soulful as their subjects. Intimate glimpses of Gallic pride shine from the soft eyes of a daper, elderly gentleman and the crisp attentiveness of a grandly mustached geradement. Stark caught Paris from the seat of a famed carousel, which no longer exists, allowing the vantage point of a bird surveying the quiet elegance of Hausmann’s orderly and grand design for the city of light. Caught at night the Eiffel tower is it’s quintessential playful self. Stark unobtrusively documents the serious pastime of a game of boule and the care and precision given to measuring the competition. These Black & White images exude a reverence of the ordinary while acknowledging the depth of tradition. Powdered truffles, fluted madeleines and red wine aside, these images transport the viewer to a place where time honored craft and care warm the heart.